Saturday, May 30, 2015

synthesis


waking up requires getting my head out of my ass

the air is clear clear clear


carving a place where I can make my own quiet and yawp to the world, I have a right to exist


this can be hard but Anne Lamott tells you to put all the people and voices and reasons that are screaming at you, telling you that you owe them something, telling them that your being isn't enough, put all those voices in a sealed glass jar and watch them frantically throw themselves at the glass with all their spittle and jerks and thrusts and then attach a volume button to that jar and turn the volume way way down and watch their angry faces and limbs without sound, then maybe smile at them. then


turn away from all that,


repeat to yourself,


I have a right to exist





Who are my gatekeepers? Who leads me to womanhood? 


I'm thinking about my mouth and what we conjure for one another


I'm thinking about how careful conjurations are a grace


un-doing the laces of American social voodoos


seeking a way in which we don't put pins in one another


I'm thinking about spending months in the mountains of Costa Rica not being able to speak English and when I came home and my mom picked me up from the airport English words got caught in my mouth and I tried to tell her about the trip, I tried to say "certification" and it came out "cer-ti-fi-ca-tion" because I wanted it to be certificación and my mouth couldn't do it and I was


struck dumb


and I was


abstracted


because Who forgot to put the right stress on the word, "certification?"



I was


struck dumb


by the fourteen year old costa rican girl who was made pregnant by the fifty five year old man


now she lives with him in a tin shack in a parking lot


too scared to talk to anybody or go outside


stuck in the darkness and dirt and heat with her newborn




what chance does she stand


in a culture that tells her the role she must play, which desires and dreams are hers to pursue and which are not



what chance does he stand

in a culture that tells him the role he must play, which desires and dreams are his to pursue and which are not


and what chance do I stand 

in a culture that




cer-ti-fi-ca-tion





I stand a better chance after being

                
                                                               struck          dumb


abstracted from


myself


coming of age



face




falls



wake UP to you



how many experiences can I process to

how many experiences can I process to


Letting go is good. But letting go without knowing that        you resound      is irresponsible.



the earth is not a cold dead place the earth is not a cold dead place the earth is not a cold dead place the earth is not a cold dead place the ear




I   don't    think    it    takes     anything    other    than   being   here    to    have    some    authority



it doesn't take anything other than being here to say


I have a right to exist


I have a right to exist


I have a right to exist



people get swept up by watching somebody else get


swept into                              taste particles and pieces of each other


make meaning and make good meaning


climactic culture makes me hasty


sometimes makes me scream at a poem, say, I don't have time for you, and no one else has time for you either



I want to say what I want for how we are to be and it be enough


but 


keep eating with our baby teeth and we won't have minds


trying to own conduits is like trying to swallow god


the more I write the more I find it harder to end on an answer    


what                                                        is                                                                happening?




my meaning making structures keep not working for me,


because I am comforted by the bright and beautiful sky outside right now and that the flowers are out but I was angry that it was bright and beautiful and that the flowers were out when Karen died --



and in that moment my meaning making structures told me the world was full of hellish indifference 




living in a world that I declared hellishly indifferent was un-sustainable


so I had to let go of that


seeing life as a cheesy nature poem


and that maybe flowers aren't flowers because I had a good day today


and later


that little girls in tin shacks with littler girls -- I won't turn away form the world for having this



and I won't hate the man living with her but I will work to make him be struck dumb


and abstracted


from the things


he holds fixed




I   won't    make    a    human    being    only    one    thing


I will search for being struck dumb myself as many times as I can be



she shed she shed 


and all into knots before she shed again




flowers growing in fast forward and decaying in fast forward


one form is another and another and another 


and I think





not a gimmick





and I want to create a space where


and I'm saying I want because it's just the meaning making structure that I'm using right now


I won't turn away from the world for having this I think is an act of violent self-assertion but sometimes when I touch my toes to the bottom of my meanings all I can feel is a prayerful nausea          

           open moments frame a kick whole frame popped whole a peel a molten molting falling out        into         now





sow me one and hold us


Thursday, December 18, 2014

Whyta keepa
man na for himselfa
down in da holey waterwith da
name in da whole of
da with you
edge skip
ing along pulled
tight
against da man's face
we skate and trace
over
the outline of da man's face
a weirdy weird weird man i found
cheek
you found
bottom
oh brother where art thou nose
to breathe
i think you are an accordion
with stape stape staples
song a staple song a stable song

dazzle you glitter beard

mashed potato waves

stop saying the word nymph

blanketed apostrophes

thoughts in a song

thoughts in an apple

thoughts of the big apple ro ro ro rhododendron rugs saffron a big toe sat on a big to

you belong with me whaaaaaaaaaat

o toward to his each own the meat of a nut
the meat of a nut

im glad you call it the meat of a nut

the way
ur fingers

press press into the bones in my back, searching to be    there

an ancient trade
and
god knows im meant for a dirty basket or two

swing low sweet baloney we're a match made in heaven oscar

a funky funny in an elbow crook belonged to a little age on your teeth

a little age on my face

a little age does nicely a dabll doya da man

wit da glue

whoda say so whoda tot

Monday, November 17, 2014

Rumi and O'Keefe



"for there is more gold in one leaf of a cottonwood tree than in all the chapels of Rome"

Monday, November 10, 2014

practicing gratitude ~ day 11

Today I'm grateful for:

Binx fell asleep on my chest

Ben Howard

mushrooms and rice and chicken noodle soup

my mom

Savannah telling me what we always suspected, Jackson from Hannah Montanna is played by a 35 year old actor

15 min yoga

nakedness

sharing my dad's computer

the way washing your face at night feels really nice

Nathaniel Branden and "The Six Pillars of Self Esteem"

mirrors of all kinds

nice emails from professors

Thanksgiving coming soon

Tuesday, November 4, 2014

practicing gratitude ~ day 10

I'm grateful for shrimp with cajun seasoning I'm grateful for my brother having a lucky lucky lucky break I'm grateful for my dad being here I'm grateful for learning how to fix a sink I'm grateful for swing dance and youtube

practicing gratitude ~ day 9

I'm grateful for laugh laugh laughing with Calvin I'm grateful that he said we're all in "cool relationship phases" I'm grateful for goofing off and laughing after I fart

I'm grateful for the opposite of loneliness and for cereal with berry filling

I'm grateful for being a grown up

I'm grateful for creating something that means something